Now you are in: Index - Program - Participatory Visual Education
Competition

Youth Forum
Participatory Visual Education
00 Introduction:
Creating a Space for Dialogue
01 Jisha Village, 1999-2005
02 Participatory Video Education Project: Glacier
03 Participatory Video Education Project: Christmas Eve in Cizhong
04 Participatory Video Education Project: My Lovely Home
05 Ways of Preserving Natural and Cultural Resources
06 The Transmission of Tibetan Traditional Folk Music and Other Pressing Questions in Deqin
07 Photovoice: a Participatory Program to Protect Yunnan’s Environmental and Cultural Resources
08 The Significance of Old Photographs in Environmental Awareness in Northwest Yunnan
09 Locals and Their Native Environment in Shangri-La Gorge
10 Holy Mountain Survey
11 The Re-implementation of Indigenous Knowledge in Participatory Education
12 Record of the New Rural Reconstruction Movement in Wulan Village
13 The Sanjiangyuan Green Community Network
14 Using Animation to Record Indigenous Knowledge
15 Kawakarpo in Various Eyes
16 A Tibetan School: Khampa People
17 Urgent : Preserve the Source of the Ethnic Arts of Our People
18 The Building of Villager’s Skills via Ethnic Culture-Ecological Village Construction in Yunnan
19 Using Film to Document the Conservation of Natural Resources
20 Documentaries for Community Service
21 Daba
22 Preserve Ethnic Culture, Promote Community Development
23 Tiger Day: An Anthropological Observation of a Folk Anti-Drug Ceremony
24 Preliminary Probe into the Wildlife-Human Conflict in Laojunshan in Northwest Yunnan
25 Using Cameras to Record Changes in Tibetan Environment and Culture
26 Let It Grow Back (US)
27

Ethnic Culture Conservation in Japan

 

Flashback
Media Mélanges


Using Cameras to Record Changes in Tibetan Environment and Culture

Spokesperson: Zeren Pingcuo
E-mail:zerenpingcuo@hotmail.com
Donor: Conservation International (CI)

Zeren Pingcuo uses his photography books and exhibitions to inform the public of environmental degradation and the loss of ethnic traditional culture. For example, his photographs expose the clearcutting of vast expanses of forests and the gutting of mountainsides for mining that defaces holy mountains. They illustrate how the environmentally unfriendly behaviour of tourists unfairly damages the environment and influences the production activities of the locals. His work also denounces how propaganda material flaunting the benefits of rapid economic progress doesn’t reflect the true facts about the relationship between the local environment and traditional culture. He has published a book and organized an exhibition of photographs to heighten locals’ awareness of the environment and inspire pride in their traditions.


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